Beyond Amazon: How to Get Libraries and Bookstores to Buy Your Book
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Imagine thousands of new readers discovering your books through trusted recommendations and spaces. Imagine your stories finding their perfect audience without having to worry about algorithm changes, without needed to become an ad expert, and without being tied to social media 24/7 just to get your book noticed.

This isn't fantasy—this is the reality for authors who have successfully broken into library and bookstore markets.

Did you know that American libraries serve nearly 1 billion in-person visits annually? Or that despite the digital revolution, physical bookstores remain literary hubs where readers actively seek new voices and stories? Libraries and independent bookstores aren't just surviving—they're thriving.

These physical book spaces offer six powerful benefits that can transform your author career:

  1. Wide Exposure – Libraries and bookstores put your work in front of vast audiences you simply can't reach through online marketing alone.

  2. Extended Visibility – Libraries keep books in circulation for years (compare that with online platforms that give you a small boost the day you publish, but that's it), while bookstores provide crucial front-facing visibility that online retailers can't match.

  3. Trusted Curation – Librarians and booksellers serve as influential recommenders whose suggestions carry more weight than algorithms and ads.

  4. Community Connection – These physical spaces connect your stories to local reading communities and events that build your regional presence.

  5. Credibility Building – Seeing your book on actual shelves validates your work to readers in ways that digital-only publishing cannot. There's something about seeing your book on a shelf that simply can't be replicated online.

  6. Reader Loyalty – Physical book spaces cultivate dedicated readers who are more likely to explore an author's entire catalog once they discover your work. As a voracious reader myself, I get all my books from the library. Once I read a book I love, I immediately put every single title by that author on my to-read shelf and start following them for new releases. Amazon's algorithms simply don't build this level of loyalty.

Yet many independent authors overlook these markets entirely, believing myths like "libraries only want traditionally published books" or "bookstores won't stock self-published titles." Today, I'm going to shatter those myths and give you a clear, actionable roadmap to get your book into these extremely valuable ecosystems.

Getting your book into libraries and bookstores isn't about luck or hoping someone discovers you. It's not mysterious at all—it's a process. A very specific step-by-step process that, once you learn it, becomes your secret weapon. This is exactly the same process that traditional publishers use to get their books into these spaces, but it's completely different from what most indie authors are familiar with.

Most of us think, "Well, isn't it good enough for me to put my book on Amazon and call it a day?" Spoiler alert: no. There's a whole other world of readers who never shop on Amazon but would absolutely love your book if they could find it in their local library or bookstore. There's a specific process to reach them, and by the end of this presentation, you'll know exactly what that is.

Now, since I'm going to be sharing a lot of valuable and actionable information today, I'm going to use a real estate analogy to make everything easy to understand and remember.

Think of your book as a house you want to sell to the perfect buyers. You've put your heart and soul into building this beautiful home, and now you need to find the right people to appreciate it. Think of me as your experienced real estate agent who knows exactly how to position your book-home to attract those perfect buyers. I've successfully helped many authors find their books' forever homes in libraries and bookstores, and today I'll show you exactly how to do the same.

Before we get into all this, let me introduce myself:

My name is Josie, and my journey in publishing began 10 years ago when I self-published my first book. Since then, I've published two more titles and sold over 25,000 copies of my work across all platforms.

This success led to something unexpected—authors began reaching out to me for marketing and sales advice. Their struggles resonated with me, as I remembered my own early challenges. I didn't just get a ton of sales by luck—I took every course, learned everything I could, and hustled like crazy. Some strategies worked brilliantly for me, while others were a complete waste of time and money. It was a struggle, and I know many authors listening to this right now can relate to that feeling of trying everything, being everywhere, and feeling like nothing is working.

This experience inspired me and my author friend to create Evergreen Authors, a website where we teach authors how to promote and sell their work because I know firsthand how difficult this is for most creatives. And I also know that what works for one author might not work for another. So we try to offer a variety of different book marketing ideas, focusing on approaches that bring you joy, that you can sustain, and that don't fill you with dread.

What started as basically a side passion project led to both me and my Evergreen Authors cofounder moving into full-time careers in the publishing industry. I've worked at indie publishing houses, a foreign rights literary agency, and now at Foreword Reviews.

These experiences, especially my recent roles, have given me unique insights into the traditional publishing ecosystem. I've discovered numerous opportunities that many indie authors overlook—markets beyond the usual Amazon focus, speaking engagements, or social media promotion.

On a personal note, my mom was a librarian, and my favorite memories growing up are being in the library with her. Libraries feel like home to me, and I know many authors feel the same. And I understand how many of you dream of seeing your book on a bookstore or library shelf—it's just not the same feeling as seeing it on Amazon or BarnesandNoble.com. I remember when I saw my book in Barnes & Noble for the first time, front-facing—it brought me to tears.

That's exactly what I'm going to help you do today. Because libraries and bookstores truly are the most amazing spaces for our books to be.

Let's talk about how libraries and bookstores shop for books. They're actually looking for very different types of literary properties, just like homebuyers search for different kinds of houses.

Libraries are like those homebuyers looking for unique, character-filled properties with long-term value. They're not flipping houses—they're creating a community space that will serve residents for years to come. Here's what these buyers care about:

  1. Neighborhood HOA Guidelines - Libraries have collection development policies that guide all their purchases. Just like a homebuyer checking HOA restrictions, libraries follow specific guidelines about what types of materials they acquire, based on community needs, budget constraints, and their institutional mission.

  2. Preferred Realtors Only - Libraries primarily purchase through established channels like Baker & Taylor, Ingram, and OverDrive for digital content. I always hear from authors, "Can't they just get my book from Amazon?" No! That would be like trying to buy a house without a real estate agent. These wholesalers are their trusted realtors, and libraries rarely shop outside these channels.

  3. Detailed Property Listings - Libraries need complete metadata to properly catalog books in their systems. Think about it—their main job is connecting books with patrons. That metadata is like your home's property listing. If you wrote a book about birdwatching in Northern Minnesota, that information needs to be in your "listing" so libraries can find it when patrons are looking for exactly that content.

  4. Professional Home Inspections - This is absolutely crucial! Librarians rely heavily on reviews from trusted publications to evaluate books, especially from unknown authors. Think of these as the home inspection reports that give them confidence in their purchase. In today's climate, where book challenges are a huge issue for librarians, they're typically required to include 1-2 professional reviews in their purchase orders as documentation.

  5. Neighbor Recommendations - Community requests play a significant role in their buying decisions. It's like when neighbors recommend a particular property to friends looking to move into the area. Patron requests often get priority attention from acquisition librarians.

Bookstores are like house flippers looking for properties with immediate appeal and profit potential. They're not necessarily thinking long-term—they need books that will sell quickly and deliver returns. Here's what these buyers care about:

  1. Profit Margins Matter - Bookstores expect a standard industry discount of 40-55%. This is like a house flipper calculating their minimum profit margin before considering a property. If they can't make enough on the sale after renovations, they simply won't buy it. Your book needs to offer them adequate financial returns to justify shelf space.

  2. Money-Back Guarantee Required - Books must be returnable through distributors. Think of this as a house flipper insisting on inspection contingencies—if serious problems emerge, they need an exit strategy. The ability to return unsold copies is often non-negotiable, especially for larger bookstores. Even indie bookstores consider returnability a factor, though they're less likely to exercise this option than chain stores.

  3. Curb Appeal Is Everything - Cover design and quality heavily influence decisions. Just as house flippers know buyers make snap judgments based on a home's exterior, bookstores know customers judge books by their covers. The visual appeal and professional presentation of your book can make or break a stocking decision—beautiful, genre-appropriate covers that stand out while fitting in are essential.

  4. Neighborhood Connections Help - Books with regional or local relevance have better chances of being stocked. It's like a house flipper knowing that a property near good schools will sell faster. If your book has connections to the store's community—whether through setting, subject matter, or your own local ties—bookstores are more likely to give it shelf space.

  5. Owner Participation Expected - Bookstores value promotional support from authors. Think of this as a house flipper who expects the previous owner to help market the renovated property. Bookstores want to know you're committed to driving traffic and sales through events, social media, and other promotional efforts. Your marketing support can be the deciding factor in whether they take a chance on your book.

Now that you understand what these two types of "homebuyers" are looking for, you're ready to stage your book home for success. Understanding these acquisition differences is like knowing whether you're selling to a young family looking for their forever home or to a flipper looking for quick ROI—it completely changes your approach.

As we continue, I'll show you specific staging techniques for each market. We'll cover everything from ensuring your property listing—your metadata—highlights all your book's best features to getting those critical home inspection reports—professional reviews. These strategies will dramatically increase your chances of getting your literary property placed in the neighborhoods where it belongs.

The path to these valuable real estate markets isn't as mysterious or exclusive as many authors believe. You don't need insider connections or a traditional publishing pedigree. With the right approach and preparation—just like a savvy home seller—you can navigate these channels successfully, expanding your readership and establishing your work in these trusted, curated spaces.

Let's move on to how you can prepare your book for its perfect showing!

Now let's talk about getting your book properly listed where these buyers can actually find and purchase it. This is absolutely crucial - without the right listing platforms in place, libraries and bookstores simply can't buy your book, no matter how much they might love it.

Let me start with a crucial point that many indie authors miss: Libraries and bookstores don't shop on Amazon. This is like expecting high-end homebuyers to find your property on Facebook Marketplace! These institutions have their own established purchasing systems, just like serious homebuyers use specific real estate platforms and agents.

There are three essential platforms you need to utilize to make your literary property fully available to libraries and bookstores:

First, Bowker is where you'll secure your property deed through owning your ISBNs. This might seem like a small detail, but it's critically important. When you purchase ISBNs through Bowker, you maintain complete ownership control over your book.

Many authors make the mistake of using free "rental agreement" ISBNs provided by Amazon or other platforms - but these severely limit your selling options. It's like trying to sell a house when you only have a rental agreement instead of the deed! Libraries and bookstores often can't order books with these platform-specific ISBNs.

Invest in your own ISBNs - ideally a pack of 10 since you'll need separate ones for each format of your book. Think of this as securing proper deeds for all your properties.

Next, IngramSpark is your Multiple Listing Service that connects your book to virtually all libraries and bookstores. This is the distribution backbone that puts your property where the right buyers can find it.

Two settings are absolutely critical here:

  • Enable returnability - bookstores simply won't order books they can't return. This is like offering a home inspection contingency to buyers.

  • Set your trade discount between 40-55% to make your book commercially viable for retailers. Yes, this is like paying your real estate agent's commission - it cuts into your per-property profit, but it's necessary to access these markets.

IngramSpark puts your book into the databases and ordering systems that librarians and bookstore buyers use every day - just like the MLS system professional realtors rely on.

Finally, Draft2Digital is like listing your property on all the specialized digital platforms. This connects you to OverDrive, Hoopla, and other digital library systems that are increasingly important in today's market.

Through Draft2Digital, you can tap into the growing library ebook and audiobook market without having to establish individual relationships with each platform. This is like having your property automatically listed on Zillow, Trulia, Redfin and others, all from one submission.

With these three platforms properly set up, your book becomes discoverable and purchasable by libraries and bookstores through their established buying systems. Without them, even the most beautiful book home with excellent home inspection reports might remain invisible to these valuable buyers.

Now that you've set up the proper listing and buying channels for your book home, what we're going to talk about next is equally important for reaching librarians, booksellers, and readers. Yes, this next part even applies to Amazon. But whenever I say this word to authors, I can see their eyes glaze over. It's like that Homer Simpson gif where he's retreating into the bushes.

We're going to talk about metadata. I know, I know—"metadata" sounds like something from a computer science class you tried to avoid. Authors hear this word and immediately think, "That's some super technical publishing term I don't want to know about." But here's the truth—metadata is the key to buyers, all buyers, finding your book home.

Think of it this way: You wouldn't list a beautiful four-bedroom Victorian home as just "building for sale," right? That's essentially what you're doing when you neglect your book's metadata! You'd mention that your home has a gourmet kitchen, hardwood floors, or is in a great school district—these are the specific details that attract the right buyers.

In the next few minutes, I promise to make metadata not only understandable but actually exciting—because it's the difference between your book being a "dream home" that buyers can easily find versus an unlisted property that no one knows exists.

Think of metadata as your book's real estate listing in the MLS system. Without complete and accurate listing details, your beautiful book home remains invisible to potential buyers in the vast marketplace of other book homes.

Let’s get into how this metadata magic works:

First, BISAC codes function as your property's neighborhood and type. These subject codes tell librarians exactly where in the library your book belongs. Choosing the right codes is crucial—if you categorize your cozy Victorian mystery as a modern romance, buyers searching for mysteries will never see your listing.

Your professional book description is like your property's features and amenities. Librarians scan these descriptions looking for specific terms relevant to their collections and community needs. Vague or poorly written descriptions are like listing a house without mentioning the number of bedrooms—it makes your book much harder to find and evaluate.

Age ranges and reading levels are like identifying whether your property is a family home, starter condo, or retirement community. Libraries organize collections by audience, and without clear indicators of who your book is for, it may end up in the wrong section—or not purchased at all.

Professional review quotes are like your property's home inspection report. They validate your book's value to acquisition librarians who need to justify their purchasing decisions. These endorsements essentially tell librarians, "Yes, this book home is structurally sound and worth the investment!"

This slide shows exactly how metadata works for your book. Notice how this home listing doesn't just say "nice house for sale" - it's packed with specific, searchable details that help the right buyers find it.

Look at the property description: "stunning 1929 classic Georgian Colonial," "picturesque Page neighborhood," "five bedrooms and five bathrooms," "primary bedroom includes a gas fireplace." These aren't random details - they're carefully chosen keywords that appeal to specific buyers looking for exactly these features.

Think about your Victorian mystery novel in the same way. Just as this listing highlights "1929," "Georgian Colonial," and "gas fireplace" for home buyers, your metadata should specify "Victorian-era," "amateur detective," and "small village setting" for mystery readers. These specific keywords in your BISAC codes and description help readers who love that particular type of mystery find your book.

Without these details, it's like having that gorgeous home but forgetting to mention it has five bedrooms or a fireplace - the perfect buyers who are specifically searching for those features will never find it! And just like nobody searches real estate listings for "building with rooms," nobody searches for books with "story and characters." The specificity is what connects your book with its perfect readers.

Remember, no matter how beautiful your book cover or compelling your story, if your metadata is incomplete or inaccurate, it's like having a gorgeous home that's unlisted. Potential buyers simply won't discover it in their searches.

When filling out your information on IngramSpark, Bowker, or Draft2Digital, take the time to complete every listing field thoroughly and accurately. This might seem tedious, but it's one of the most important marketing tasks you'll do for reaching library and bookstore markets. After all, even dream homes, even the best of the best books, don't sell if buyers can't find them!

When selling your book home, professional reviews are absolutely your golden ticket for reaching librarians and bookstores. Librarians specifically. While bookstores might glance at these reports, for libraries, they're mandatory documentation. Think of libraries as those commercial real estate buyers who won't even consider a property without complete inspection paperwork, while bookstores are more like individual homebuyers who might take a chance if they love other aspects of the property.

For libraries specifically, these inspection reports aren't just helpful – they're often required as part of their acquisition process. In today's climate of increased scrutiny and book banning, librarians frequently need to include 1-2 professional reviews in their purchase orders as documentation to justify their buying decisions. Without these trusted third-party evaluations, your book simply won't make it through their purchasing system, no matter how perfect it might be for their collection.

Pre-publication reviews are professional evaluations of your book conducted before it's officially released to the public – just like a home inspection that happens for a new home or for before a home is listed on the market. These reviews are written by industry professionals who evaluate your book's quality, merit, and market fit.

Think of these reviewers as certified home inspectors with specialized expertise. They assess every aspect of your book home – from structure and style to content and market appeal – and provide a detailed report that helps library and bookstores buyers make informed purchasing decisions. Just as a home buyer might be hesitant to purchase a house without an inspection report, librarians especially are often unwilling to acquire books without these professional evaluations.

Ok, so how do you secure a pre-inspection, or a pre-publication review:

  1. Hire Reputable Inspectors Only – Libraries don't trust amateur evaluations from sites like Amazon. They rely on established review companies like Library Journal, Booklist, Publishers Weekly, Kirkus, School Library Journal, and of course, Foreword Reviews. Each carries significant weight with acquisition librarians. One positive inspection from any of these trusted firms can open doors to library systems nationwide.

  2. Schedule Your Inspection Early – This is critical! The most common mistake homeowners make is waiting too long. These inspection companies work on specific timelines, typically requiring access to your book home 4-5 months before your official listing date. This isn't arbitrary—libraries plan their acquisitions around these inspection cycles. Miss this window, and you've likely missed your opportunity for consideration when your book first hits the market.

  3. Follow Pre-Inspection Requirements Exactly – Each inspection company has specific, detailed submission requirements before they'll evaluate your property. Missing even seemingly minor details can disqualify your book from consideration. Some require digital submissions, others want physical copies. Some have specific formatting requirements for accompanying materials. Take the time to carefully read and follow each company's pre-inspection requirements to the letter. For us at Foreword Reviews, the pre publication date has to line up with our submission window. 99% of authors who are rejected are due to submitting at the wrong time. And I hear from authors all the time like, I know you’re looking for books published 4 months from now, but my book just came out and it’s amazing and you should consider it. No. It’s an automatic disqualification

I cannot overstate how important these pre-publication inspection reports are for library acquisition. When a librarian sees that starred review from Library Journal or Foreword, it provides the validation they need to make a purchasing decision.

I should note that these pre-publication reviews are incredibly competitive. Just like applying to an elite university, there's limited space and overwhelming demand. At Foreword Reviews, we're unique because we exclusively focus on independent authors, small presses, and university presses—we don't accept Big 5 publishers. That said, we still receive thousands of submissions monthly, and sometimes the Big 5 try to sneak their books through imprints disguised as indie publishers. Our editor-in-chief gets big mad when this happens! We're one of the only professional review journals dedicated specifically to independent publishing, not huge publishing conglomerates.

But even with this indie focus, getting selected for a Foreword Review is like getting into Harvard—it's a tremendous achievement, but many qualified books simply don't make the cut due to the vast amount of submissions we get.

So what happens if you miss the pre-publication window or your book isn't selected? Fortunately, you still have excellent options.

Several reputable review services offer fee-for-service evaluations for books already on the market. While these don't carry quite the same prestige as their pre-publication counterparts, they're still valuable tools for library acquisition.

Think of these as getting a professional home inspection after your property is already listed. It may not be ideal timing, but it's far better than having no inspection report at all. Libraries that require professional reviews for their acquisitions will still recognize and accept these paid evaluations when making purchasing decisions.

Kirkus Indie, Foreword Clarion, BlueInk Review, and others provide these professional services specifically designed for indie authors and books already in the marketplace. These reviews still appear in the industry databases that librarians consult, giving your book the professional validation it needs.

The key difference is that these services require payment—typically ranging from $300-$550—but they offer a second chance at professional evaluation if you've missed the pre-publication window or weren't selected from the competitive pool of submissions.

Let me highlight what makes our Foreword Clarion review service exceptional. When your book receives a Clarion inspection, that report is distributed to key industry databases including Ingram, Bowker, and Cengage—the essential MLS systems librarians actively use to discover and evaluate literary properties. Additionally, your report appears on the Foreword Reviews website, which receives over 1.5 million industry visitors annually, putting your book directly in front of decision-makers throughout the library and bookstore markets.

Not all home inspections are created equal. While some review services might spend just a few hours with your book, our inspectors dedicate a full month to each book home—examining every aspect from foundation to roof. We don't use the factory approach of cranking out quick superficial reports or relying on AI. Each inspector provides the careful consideration that acquisition professionals recognize and value.

When comparing inspection reports side-by-side, you'll immediately see the difference. While some services might give you a thin report with generic observations, Clarion reviews offer detailed, thoughtful analysis and honest assessment. Our reports don't just tell buyers whether the property passes inspection—they provide nuanced insight into its unique features, character, and value proposition. That's why a 4-star or above review from Clarion is a significant achievement that carries substantial weight with acquisition librarians.

Think of it this way: If you're trying to sell a home after it's already on the market, would you want the quickest, cheapest inspection available, or would you invest in the most respected, thorough inspection service that buyers truly trust? Just as you'd want the most respected home inspector in the business evaluating your property, you want Foreword Clarion providing your book's professional assessment. It's the gold standard in post-listing book evaluations that can make all the difference in getting your book into libraries nationwide.

Okay, I know what you're thinking—here comes the sales pitch for Foreword Clarion reviews. Let me be honest with you. I'm an author myself, and I know exactly what it's like to sit through presentations where someone is clearly trying to sell you something. My inbox is constantly filled with "special opportunities" for my book that promise bestseller status but deliver questionable results.

I get it. Authors are marketed to constantly, and a lot of what's out there... well, let's just say it doesn't always deliver on its promises. That's why I want to take a different approach because I've been there too.

Instead of pushing you to buy a Foreword Clarion review directly, I want to share something I wish someone had told me years ago. The smartest way to access not just our services at Foreword, but tons of other valuable publishing resources, is through IBPA membership.

For around $100 a year, you'll get 35% off Foreword Clarion reviews—a discount we don't advertise widely. That's a significant savings that makes professional reviews much more accessible. But beyond that, you'll get all these other amazing benefits from Foreword as an IBPA member:

  • Free subscription to Foreword Reviews magazine ($25 value)

  • 15% OFF international exposure at major book fairs

  • 15% OFF digital ads to promote your book to industry professionals

  • Instant credibility with libraries and bookstores as an IBPA member

I'm not on commission for IBPA referrals. I'm recommending this because as a fellow author who's trying to navigate the same challenging industry, I believe it represents the best value and the most strategic approach to getting your book into libraries and bookstores.

Take a look at this page from our magazine - these are the beautiful editorial-style ads we offer to IBPA members at super affordable rates. What makes these different from typical advertisements is how they blend seamlessly with the magazine's editorial style. They don't look like obvious ads—they present your book alongside other quality indie titles in a format librarians and bookstore buyers actually read and trust.

While traditional publishers spend thousands on full-page advertisements, these targeted placements give indie authors a professional presence in the industry at a fraction of the cost. It's like having your home featured in an architectural digest that decision-makers actually read, rather than just another listing lost in the real estate section. And funnily enough, librarians actually call Foreword magazine the Architectural Digest of book review magazines because it is so beautiful and carefully curated.

Beyond the tangible savings, you're joining a community that's genuinely focused on helping independent authors succeed in a challenging market. This is truly the smartest investment you can make as an independent author trying to break into library and bookstore markets.

Now, I've talked a lot about IBPA and the fantastic 35% discount they offer on our premium home inspections. But I also understand that some of you might not be "joiners" or organization-type people - believe me, I totally get it!

Just like some homebuyers prefer to work directly with sellers rather than going through a realtor, you might prefer a more direct approach. If that's the case, I've arranged something special just for the authors listening to this presentation.

If your book is coming out in the next 4-5 months and you want to apply for a pre-listing Foreword review inspection, or if you already have a published book and are interested in a post-listing Clarion inspection, you can visit forewordmagazine.com/reviews and enter the code INDIEAUTHOR15 at checkout.

This will give you 15% off your review - not quite the 35% that IBPA members get, but hey, it's the best direct discount I can offer as an employee!

Whether you choose the IBPA route for maximum savings or the direct path for simplicity, what matters most is getting that professional inspection report. Just as no serious buyer purchases a home without an inspection, no library acquisitions department seriously considers books without professional reviews. I genuinely believe these reviews are one of the most powerful tools for breaking into library and bookstore markets, and I want to make them as accessible as possible for all of you.

Your book deserves to find its perfect forever home, and a professional review is often the key that unlocks that door.

Now we’re moving onto the last thing you need to get into libraries and book stores, the cherry on top. The beautiful wreath that goes on the front door, the chocolate chip cookies baking in the oven during your open house. Let’s talk about the final piece that ties everything together—your book’s sell sheet.

Just like real estate agents wouldn't dream of hosting an open house without professional flyers, you need a sell sheet that instantly communicates your book's value to acquisition librarians and bookstore buyers.

Think about the last time you visited an open house. Remember that property flyer with the beautiful photo of the house? It didn't just show the image—it included all the essential details: address, square footage, bedrooms, bathrooms, price, and special features.

Your book's sell sheet serves the same purpose as these glossy house flyers. In one glance, it tells librarians and bookstore buyers everything they need to know: what your book is about, who it's for, where it can be purchased, and why it deserves shelf space in their collection.

At Foreword, we require a sell sheet with every submission because it helps us quickly evaluate if a book matches our review criteria without reading the entire manuscript first. It's the same for acquisition librarians who might review hundreds of titles each month.

When you combine this professional presentation with proper distribution channels, professional reviews, and complete metadata, you create an irresistible package that makes it easy for libraries and bookstores to say 'yes' to your book. That polished, professional sell sheet is often the final detail that turns interest into a sale.

Thank you all for being here today! I hope you've gained valuable insights on how to find your book's perfect forever home in libraries and bookstores.

If you'd like to learn more about professional reviews, advertising opportunities, or other resources for indie authors, please visit forewordmagazine.com or email me directly at josie@forewordreviews.com. And don't forget to check out our Evergreen Authors site for additional marketing resources.

Before we wrap up, I have to mention that this is actually my favorite Foreword Magazine cover of all time – I mean, who doesn't love Bowie? As you can see, we take pride in creating a publication that librarians and booksellers love and eagerly anticipate for discovering their next great reads. They've told us they love to have it on their library desks and coffee tables because it's so beautiful. I would love to see your book featured in our pages someday.

I wish you the best of luck on your publishing journey, and I look forward to seeing your book on library and bookstore shelves soon! Take care.

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About the Speaker

Hi! I'm Josie Robinson, cofounder of Evergreen Authors and advertising executive at Foreword Reviews. My mission? Helping indie authors get their amazing books into libraries and bookstores and connecting great stories with the readers who need them. Want to see YOUR book on library and bookstore shelves? Discover how to make that dream possible!

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